alex ingersoll

media | technology | cinema | sound



projects

our blinding 
in case things go poorly

light of its history
vestal fire
dis/orientations
is an end without an end an end?
dark objects
the whole bit
space series


spectral

teaching

bio





about


alex ingersoll is associate professor of media studies in the division of communication in the college of fine arts and communication at the university of wisconsin-stevens point.


he received his ph.d. from the university of north carolina at chapel hill on media and technology studies with a focus on technologies of spatial representation, orientation, and memory.



Mark


vestal fire

ami / 2016

as carbon simmers, the digital blooms. an expectant mother receives a call after dark that opens up a world of absence.

with this work, i'm interested in exploring cinematic media as a means by which nature is expressed and modified through experience and memory. this includes playing with affective techniques of anticipation and indirection as a mundane condition of the sublime. this project is rooted in the age of the anthropocene and outlines a phenomenology of horror where we gesture towards a world beyond the human.

much of this work is inspired by lines from delmore schwartz's poem, "calmly we walk through this april’s day":


"what is the self amid this blaze?
what am i now that i was then
which i shall suffer and act again...
each minute bursts in the burning room,
the great globe reels in the solar fire,
spinning the trivial anh unique away.
(how all things flash! how all things flare!)
what am i now that i was then?
may memory restore again and again
the smallest color of the smallest day:
time is the school in which we learn,
time is the fire in which we burn."








Mark